During the Lockdown of 2020 Paul Sherwood and I have led classes for D/G hurdy-gurdy players via Zoom and had a lot of fun doing them. Some players described it as the thing that they looked forward to the most during the week. Here are the tunes for you to download and a link to the Youtube playlist Lockdown-tunes All
If you have any questions about the tunes you can contact email@example.com
Friday 13th March 2020 Bridlington Contemporary Art Gallery
Rebecca Folds Gallery Programmer:
‘On Friday evening the gallery space at Bridlington Contemporary was packed with an expectant audience, eager to hear the renowned hurdy-gurdy player, Quentin Budworth. We had seen Quentin before at the Hull Folk Festival with the band Celtarabia. That was a massively amplified, foot-stomping, head-banging, stadium rock performance on an outdoor stage with a huge crowd of festival goers dancing their socks off.
It was a surprise and delight to see him in this more intimate setting, transformed from rock god into an entertaining and informative raconteur showing us the more subtle and thoughtful side of his musicianship.
With the help of an Arts Council Grant, Quentin had spent 2019 travelling through the UK and Europe visiting centres of musical excellence, meeting and playing with and learning from the best musicians, composers and instrument makers who form a quite remarkable international community.
Quentin’s account of his year of travel took us from this country to various festivals, gatherings and musical schools throughout Europe. We heard about the different traditions, styles, and approaches in different parts of the continent. It was good to know that these were being shared and adapted, keeping the tradition alive and of course Quentin was able to demonstrate all this on the two beautiful instruments he had with him. The were plenty of questions from the enthusiastic audience in the final part of the evening and I think everyone learnt a lot – from the history of the hurdy-gurdy since the 11th century to the response of contemporary composers to the instrument. And of course a whole load of cracking tunes – all in all a fantastic evening’.
Quentin Budworth is a Hurdy-gurdy player and composer on a quest. For the last year he has travelled across Europe learning from master Hurdy-Gurdy players from different traditions.
Supported by an Arts Council Develop Your Creative Practice Grant his travels have taken him to France, Spain, Crete, Germany and Holland.
In this unique event Quentin will share tunes , stories and insights about what he has learned on his musical odyssey. Featuring music from across Europe and newly composed tunes Quentin will give a rare insight into the world of an itinerant Hurdy-Gurdy Man and composer.
Sam Pirt (Musician The Hut People)
‘We had a wonderful inspiring evening last night, upstairs at the Monks Walk in Beverley, watching The Hurdy Gurdy Man ‘Old Dog New Tricks’ one man show.It was all about Quentin Budworth travels, stories and tunes he picked up along the way.The show is on again so keep an eye out for it.What a great evening it was and also what a wonderfully atmospheric venue it was too!A great night by a great musician with some great stories and tunes!’ #hurdygurdymaster
‘What a wonderful evening spent in the company of the lovely Quentin Budworth and his Hurdy Gurdies as well as lots of good friends in the audience. Quentin treated us to lots of tunes from around Europe, each accompanied with its own anecdote of his many travels. Plus great pub and great beer. What a combination!’
‘Totally fab night, really enjoyed it!’
Mark Kelly Organiser upstairs at Monks
3 years ago we started putting completely unplugged, or acoustic nights on in the only remaining room upstairs in Monks Walk in Beverley, a room haunted by the ghost of a local blacksmith who many moons ago hung himself downstairs after falling on hard times, and a room with a 13th Century wall as a backdrop. It’s a unique, medieval, and intimate space, and Quentin Budworth’s ‘Old Dog New Tricks’ Hurdy Gurdy couldn’t be better suited to our little room.
A 90 minute journey through the differing hurdy gurdy techniques used to play this unusual instrument around the World. A confident raconteur, and a man who knows his Hurdy Gurdy, we were treated to French, German, and Scandinavian compositions as Quentin swapped from one Hurdy Gurdy to another.
Our room was filled with sounds like we’ve never heard before, and the audience were captivated, if a pin had dropped it would have disturbed us!
Afterwards Quentin opened up the room and took a Q&A session, covering the history of “the hardest instrument to play in the World”, explanations of where all the different sounds where coming from, different playing techniques, and at one point even dismantling one of his Gurdy’s to explain his point! ~ a charming fellow, and a mesmerising show, it would make a great Festival workshop, but for anyone who wants an introduction to this amazing instrument, Quentin’s night is a must’.
To book ‘Old Dog, New Tricks’ call Quentin on 07877434739
It’s the 25th anniversary of the #NationalLottery25 supporting the #arts in the UK. I’m so grateful for their support in funding my work as a multi-disciplinary artist and musician. This year through the Arts Council’s Develop Your Creative Practice funding I’ve been able to study Hurdy-Gurdy with some of the world’s greatest and most innovative players an old dog learning new tricks. I’ve attended workshops in Germany, Holland, France, Spain, England and Greece. I’ve met so many musicians from around the world and made many new friends along the way. The funding the Arts Council gives to artists is a game changer for Artists and Musicians and communities thank you, thank you, thank you. #arts #NationalLottery25
The Chance to get a couple of days studying Hurdy-Gurdy with Gilles Chabenat at Gaunts House was to good to miss. I learnt an incredible amount in the small group (there were 3 of us) and having the opportunity to see Gilles playing and inprovise on stage was certainly hugely beneficial.
I attended an extended weekend course for musicians to develop ensemble playing skills and make imaginative arrangements that are exciting to listen or dance to. Using music from European folk/traditional/popular music traditions as the raw material to make new arrangements that can go in any direction. The aim was to explore and combine all sorts of influences and ideas to make spine tingling music that is more than the sum of the parts.
The course was fairly intensive and included all day ensemble workshop sessions with the aim of performing all the pieces created together at a public concert on the Sunday night. The course was led by musician/composer/arranger Paul James – saxophones, border bagpipes (Blowzabella, Evening Star), Belgian diatonic accordion virtuoso and composer/arranger Anne Niepold and we are delighted to welcome German harpist, composer and teacher Merit Zloch to the team for the first time this year.
Paul James is a saxophonist, bagpiper, singer and composer from Newbury who writes, arranges and performs music influenced by English and other European folk traditions. Paul was composer for the critically acclaimed production of John Milton’s ‘Comus – A Masque in Honour of Chastity’ at Shakespeare’s Globe Theatre and has composed music for TV, documentaries, theatre and contemporary dance, as well as the bands he plays in. He has been a member of the hugely influential folk band Blowzabella since 1980, and plays with his pan-European band Evening Star and the folk dance band The Playford Liberation Front.
Anne Niepold studied in the jazz department of the Royal Conservatory of Brussels and attended many courses and masterclasses. As a performer she is a true force of nature – brash, adventurous and phenomenally skilled, she takes the humble accordion in startling directions. Beside her solo projects, she performs with numerous arts companies at home and abroad, and has numerous recordings to her name.
“(Anne) shows us the right way, that of intelligence, respect, emotion and heart. Run quickly listen to her and see her in concert!”
Richard Galliano, Accordionist
Merit Zloch is a harpist, composer and music teacher. She sees herself in the tradition of the itinerant harp players of the 19th and early 20th century, travelling with her harp throughout Europe charming people with her original compositions and arrangements of historical dance music.
She has played in bands almost as long as she has played the harp and is constantly fascinated by the interplay between musicians. She likes to arrange und develop pieces together with her band colleagues and to improvise.
Merit researches historical dance manuscripts and organises musicians meetings, bals and instrumental workshop weekends.
If you have any queries about the course, have a chat with course leader Paul James 0788 794 8853 firstname.lastname@example.org
I attended a music workshop led by Jo Veal and Anna Pack, who are accomplished and experienced musicians. Focusing on simple melodies, the workshop provided tips on ways to busk to unfamiliar tunes, and improve your capacity to contribute to ensemble harmonies and danceable rhythms. So tune up your instrument and bring along your curiosity, generosity and playfulness for a journey beyond melodies and into musical
The workshop ran between 8-9 and was followed by our usual Eurosession and dancing.
I met up with Sam ( Samuel Palmer ) in London last week and played some lovely traditional tunes and had a go on Sam’s lute backs and midi gurdies, – Sam gave my Gurdy the once over. Oh and there was cake (not pictured).
It was really great to meet up with Peter Kanssen yesterday and have a good play through some tunes and have a delicious Parsnip Soup lunch (not pictured). I also got the chance to have a go on Peter’s Neil Brook 3d Gurdy (storming!) and his amazing Sam Palmer midi gurdy both of which I have to say are lovely instruments. As a few people have been in touch about my thoughts on Sam’s midi gurdy I’ll write a post about it in the not to distant future.
One thing that came up during the meeting was the variable length crank as a learning tool …. to develop articulation of the coups – (buzzes) of the Hurdy-Gurdy trompette.
Hurdy Gurdy Player and good friend Peter Kanssen asked if I’d be up for a day of playing music with him as part of the May Day Celebrations. I jumped at the chance. The Fowlers Troop Jack in the Green was revived by members of Blackheath Morris Men and friends in the early 1980s. It is a revival of a Jack in the Green from about 1906 which was taken out around Deptford, South East London on May Day by the original Fowlers Troop. Here are some pictures of the proceedings. More information about the event and the Jack-in-the Green can be found here https://www.deptford-jack.org.uk’
12 Jacks have been sighted so far this year.
The Oxford Jack-in-the-Green
The Fowlers Troop (Deptford) Jack-in-the-Green
The Hammersmith Jack-in-the-Green
The Dead Horse Morris (Whitstable) Jack-in-the-Green
The Bovey Tracey (Grimspound Morris) Jack-in-the-Green
The Bluebell Hill (Rochester Sweeps) Jack-in-the-Green
The Bristol Jack-in-the-Green
The Hastings Traditional Jack-in-the-Green
The Whitstable Jack-in-the-Green
The Guildford Bush
The Evercreech Jack in the Green
The Ilfracombe Jack-in-the-Green
I’m still waiting for confirmation that the following Jacks have been sighted:
Well – what can I say Scandinavian music is unique and presents a challenge to the Hurdy-Gurdy however I was fortunate to receive some excellent tuition from fiddler John Francis Goodacre in the style and approach to playing the tunes. Having never played any Scandinavian folk music before I’m really glad that I joined the beginners class as there was really a lot to learn in terms of rhythm and ornamentation.
Scandimoot is held in Clapham in the Yorkshire Dales National Park annually on the May Bank holiday. It’s abeautiful place.
Benoît Roblin has grown to the sound of the hurdy-gurdy at Vierzon in Berry. Formed by Laurent Bitaud then Alexis Vacher, Benoît obtains his DEM in traditional music in 2008 then embarks on the professional adventure accompanied by his old green wheel designed by Jean-Paul Dinota.
Benoît Roblin has developed his own game, inspired by viellists of different styles, working on energy and groove. He has always put traditional music to dance in the heart of his instrumental practice, those of Berry mainly with Decibal, the big trio, the Hervé duo and now in solo ball , through Poitou with Son de bouc, the Roblin duo. Pacher, the duo Jagueneau-Roblin and Tord Boyaux, Brittany and Vendée in the Roblin-Evain-Badeau Trio, and Gascony with Nòu.
Projects full head and fingers, Benedict continues to create over the meetings, always looking for new experiences.
Benoit Roblin : hurdy-gurdy, feet, singing.
Quentin Budworth is a Hurdy-gurdy player and composer from Yorkshire, England, who makes music from 'Every-hear'.