Quentin Budworth is a Hurdy-gurdy player and composer on a quest. For the last year he has travelled across Europe learning from master Hurdy-Gurdy players from different traditions.
Supported by an Arts Council Develop Your Creative Practice Grant his travels have taken him to France, Spain, Crete, Germany and Holland.
In this unique event Quentin will share tunes , stories and insights about what he has learned on his musical odyssey. Featuring music from across Europe and newly composed tunes Quentin will give a rare insight into the world of an itinerant Hurdy-Gurdy Man and composer.
Sam Pirt (Musician The Hut People)
‘We had a wonderful inspiring evening last night, upstairs at the Monks Walk in Beverley, watching The Hurdy Gurdy Man ‘Old Dog New Tricks’ one man show.It was all about Quentin Budworth travels, stories and tunes he picked up along the way.The show is on again so keep an eye out for it.What a great evening it was and also what a wonderfully atmospheric venue it was too!A great night by a great musician with some great stories and tunes!’ #hurdygurdymaster
‘What a wonderful evening spent in the company of the lovely Quentin Budworth and his Hurdy Gurdies as well as lots of good friends in the audience. Quentin treated us to lots of tunes from around Europe, each accompanied with its own anecdote of his many travels. Plus great pub and great beer. What a combination!’
‘Totally fab night, really enjoyed it!’
Mark Kelly Organiser upstairs at Monks
3 years ago we started putting completely unplugged, or acoustic nights on in the only remaining room upstairs in Monks Walk in Beverley, a room haunted by the ghost of a local blacksmith who many moons ago hung himself downstairs after falling on hard times, and a room with a 13th Century wall as a backdrop. It’s a unique, medieval, and intimate space, and Quentin Budworth’s ‘Old Dog New Tricks’ Hurdy Gurdy couldn’t be better suited to our little room.
A 90 minute journey through the differing hurdy gurdy techniques used to play this unusual instrument around the World. A confident raconteur, and a man who knows his Hurdy Gurdy, we were treated to French, German, and Scandinavian compositions as Quentin swapped from one Hurdy Gurdy to another.
Our room was filled with sounds like we’ve never heard before, and the audience were captivated, if a pin had dropped it would have disturbed us!
Afterwards Quentin opened up the room and took a Q&A session, covering the history of “the hardest instrument to play in the World”, explanations of where all the different sounds where coming from, different playing techniques, and at one point even dismantling one of his Gurdy’s to explain his point! ~ a charming fellow, and a mesmerising show, it would make a great Festival workshop, but for anyone who wants an introduction to this amazing instrument, Quentin’s night is a must’.
To book ‘Old Dog, New Tricks’ call Quentin on 07877434739
Friday 13th March 2020 Bridlington Contemporary Art Gallery
Rebecca Folds Gallery Programmer:
‘On Friday evening the gallery space at Bridlington Contemporary was packed with an expectant audience, eager to hear the renowned hurdy-gurdy player, Quentin Budworth. We had seen Quentin before at the Hull Folk Festival with the band Celtarabia. That was a massively amplified, foot-stomping, head-banging, stadium rock performance on an outdoor stage with a huge crowd of festival goers dancing their socks off.
It was a surprise and delight to see him in this more intimate setting, transformed from rock god into an entertaining and informative raconteur showing us the more subtle and thoughtful side of his musicianship.
With the help of an Arts Council Grant, Quentin had spent 2019 travelling through the UK and Europe visiting centres of musical excellence, meeting and playing with and learning from the best musicians, composers and instrument makers who form a quite remarkable international community.
Quentin’s account of his year of travel took us from this country to various festivals, gatherings and musical schools throughout Europe. We heard about the different traditions, styles, and approaches in different parts of the continent. It was good to know that these were being shared and adapted, keeping the tradition alive and of course Quentin was able to demonstrate all this on the two beautiful instruments he had with him. The were plenty of questions from the enthusiastic audience in the final part of the evening and I think everyone learnt a lot – from the history of the hurdy-gurdy since the 11th century to the response of contemporary composers to the instrument. And of course a whole load of cracking tunes – all in all a fantastic evening’.