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Christmas Tune-Up for Hurdy-Gurdy Players: Dive into Expert Field Notes from Around the World

The Secret Life of the Hurdy-Gurdy

The days are getting shorter, the fire is crackling, and for musicians, the holiday season offers that rare, golden commodity: time. Time to unwind, time to reflect, and most importantly, time to reconnect with our instruments. If you are a hurdy-gurdy player—whether you’re just finding your cranking arm or you’re a seasoned gurdy-guru—this Christmas is the perfect moment for a technical and creative “tune-up.”

But we aren’t just talking about rosin and cotton. We are talking about a tune-up for your mind and your musical soul.

This season, I’ve been diving into a resource that feels less like a textbook and more like a late-night gathering of the world’s best players in a cosy tavern. It’s called “The Secret Life of the Hurdy-Gurdy: Field Notes On Playing” by Quentin Budworth.[1][2][3][4][5][6][7] If you are looking for hurdy-gurdy playing tips that go beyond the basics, this is your map to the hidden territories of the instrument.

The Collective Wisdom of 32 Giants

Let’s be honest: the hurdy-gurdy can be a solitary path. Unless you live in certain pockets of France or Hungary, you might be the only player in your town. That’s why Budworth’s book is such a revelation. It compiles the distilled knowledge, pedagogy, and personal theories of 32 renowned players from across the globe.[1][5][7]

We are talking about insights from heavyweights like Matthias LoibnerPatrick BouffardMichalina MaliszGerman Diaz, and Steve Tyler.[5][6][7] Instead of one teacher’s dogma, you get a kaleidoscope of perspectives. It covers everything from the physics of the wheel to the social context of being a drone musician in the 21st century.

As you plan your holiday practice, here is how you can use this expert hurdy-gurdy book to structure a “Christmas Tune-Up” that will revolutionize your playing for the New Year.


Holiday Practice Session #1: The “Drone Deep-Dive” (Theory & Sound)

One of the recurring themes in Budworth’s field notes is the relationship between the player and the drone. It’s easy to get obsessed with the melody keyboard and forget the beast growling underneath.

The Exercise:
dedicate 20 minutes of your practice solely to your drones. No melody.

  1. Listen: Engage your trompette string. Vary your cranking speed by micro-amounts. How does the timbre change?
  2. Reflect: As detailed in the book, different players visualize their sound differently. Some see it as a vocal line; others as a rhythmic engine. Try to mentally shift your focus from “cranking a wheel” to “bowing a continuous circle.”
  3. Goal: Achieve a consistent buzz that breathes with your body movement, not just your arm muscle.

Holiday Practice Session #2: The “Rhythmic Reset” (Pedagogy & Technique)

The pedagogical section in The Secret Life of the Hurdy-Gurdy is fascinating because it reveals how different cultures approach rhythm. From the strict dance beats of Central France to the fluid, experimental styles of contemporary players, the book challenges you to rethink your coup de poignet.

The Exercise:
Pick a simple holiday tune—”God Rest Ye Merry Gentlemen” works beautifully with a drone—and strip it back.

  1. The 4-Stroke Challenge: Can you play the entire piece using a strict 4-stroke buzzing pattern?
  2. The Deconstruction: Now, remove the buzz entirely. Play the melody with a smooth, silent wheel. Can you still “feel” the rhythm without the percussion?
  3. Insight: Many of the experts in Budworth’s book argue that the buzz should be an accent, not a crutch. If your melody creates the groove without the trompette, you are winning.

Holiday Practice Session #3: The “Social Context” Jam (Performance)

Budworth includes fascinating chapters on the social contexts of the instrument.[6][7] The hurdy-gurdy isn’t just a museum piece; it’s a living, breathing social tool used for dancing, storytelling, and avant-garde performance.

The Exercise:
Record yourself.

  1. The Setup: Don’t just play for the wall. Set up your phone and imagine an audience.
  2. The Narrative: Before you play, speak a sentence about what the tune means to you (a tip often used by folk performers to ground themselves).
  3. The Review: Watch it back. Are you communicating with your body? Is the instrument a barrier between you and the listener, or a bridge? The “Field Notes” emphasise that how you hold yourself is as important as how you hold the handle.

Why You Need This Book on Your Shelf

In an era of generic YouTube tutorials, The Secret Life of the Hurdy-Gurdy stands out as a curated artefact of passion. It touches on theory, offering ways to understand modal music that clicks instantly for drone players. It dives into pedagogy, helping teachers and self-learners understand the how and why of learning.

But perhaps the best part is the ethos behind the book. Quentin Budworth is a champion of the independent creative spirit. In a move that aligns perfectly with the folk tradition, he has made the book available directly from the source.

The “Anti-Bezos” Deal: $35 (US) Direct to the Artist

Here is the best part of your Christmas Tune-Up. You can buy this book directly from Quentin, ensuring the money goes to the creator and the community, not a faceless warehouse.

Quentin is offering the book for $35 (US) (or £24.99 UK / €35 EU).[1][6][7]

How to Buy:
It’s old school, personal, and easy.[6][7]

  1. Send an email to quentinbudworth@yahoo.com.
  2. Include your postal address.[1][6][7]
  3. Quentin will reply with payment details (PayPal or Bank Transfer).

By buying direct, you are supporting the ecosystem that keeps this rare instrument alive. Plus, it makes a fantastic gift for the musician in your life who thinks they have everything.

Final Thoughts

This Christmas, don’t just practice mistakes. Practice with purpose. Let the collective wisdom of 32 masters guide your hand. Grab a copy of The Secret Life of the Hurdy-Gurdy, pour a glass of something warm, and let’s get that wheel spinning.

Happy Cranking and Merry Christmas!

Learn Hurdy-Gurdy On The Isle Of Skye

Photo Credit; Anna Kirk-Smith

Review:

‘I had the great pleasure of being Quentin’s first in-person student in his new teaching space on the beautiful Isle of Skye, with an all-day intensive session. As a newbie to the hurdy gurdy, and having not played an instrument for nearly forty years, having the opportunity for one-to-one tuition with Quentin that was completely tailored to what I wanted to learn and develop at this stage in my learning was fabulous.

We worked through some basics to more complex areas. From shifting my posture, to looking at the set up and maintenance of the instrument, working on how to move more smoothly up and down the keys, I acquired both practical and theoretical knowledge. I’ve developed an understanding of how to accompany others in a session and how to continue to develop my playing for my own enjoyment.

I came away with many things to practice and think about over the upcoming months. Stimulating, joyful, and best of all, I ended the day able to play a tune with a coup de deux fairly consistently!

Thanks Quentin, for your patience and knowledgeable and comfortable teaching style, and for the delicious lunch!’

Sarah, West Somerset

More information

Quentin Budworth teaches Hurdy-gurdy to beginners and advanced-level players. He has studied with leading Hurdy-gurdy players and European folk musicians, including France, Spain, Crete, Germany and the Netherlands. He has studied with some of the world’s leading Hurdy-Gurdy players and folk musicians from many different traditions, notably: German Díaz, Gilles Chabenat, Efren Lopez, Patrick Bouffard, Isobel Pignol, Rafa Martin, Johannes Geworkian Hellman, Gregory Jolivet, Mattias Loibner, Abel Garcia, Pablo Urssosson, Francesco Guista, Cliff Stapleton, Scott Marshall, Paul Sherwood, Sian Williams, Kelly Thomas, Ross Kelly, Paul James, Merit Zloch Anne Neopold, Carol Turner, John Goodacre,  and many more.

Quentin has studied Hurdy-gurdy music from many different places and can teach most styles and types of dances, rhythms, ornamentation and techniques.

Teaching Charges:

Per hour £40

Zero to hero Intensive full day training on the instrument  5 hours teaching time with lunch thrown in

Per day £200

Skype Lessons

£40 per lesson with additional 15 minutes to set up and check connection.

To book your lesson call 07877434739 or email quentinbudworth@yahoo.com